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Ching-In Chen is the author of The Heart's Traffic (Arktoi/Red Hen Press, 2009) and recombinant (Kelsey Street Press, 2017). They are a Kundiman, Lambda and Callaloo Fellow and a member of the Macondo and Voices of Our Nations Arts Foundations writing communities. Chen is also the co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011; AK Press 2016) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009). Their work has appeared in The Best American Experimental Writing, The &NOW Awards 3: The Best Innovative Writing, and Troubling the Line: Trans and Genderqueer Poetry and Poetics. A poetry editor of the Texas Review, they currently teach creative writing at Sam Houston State University and serve on the Executive Board of Thinking Its Presence: Race, Advocacy, Solidarity in the Arts. www.chinginchen.com


Ching-In Chen in our archives
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
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By: Romie Stott
Podcast read by: Ciro Faienza
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