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Twenty years ago, Mary Anne Mohanraj and her crew founded Strange Horizons with the idea of publishing new and underrepresented voices. On a “museum model” of grants and donations, no less. Told this approach would never work, dismissed because they were online instead of print, they nonetheless set a standard for publishing the new and wonderfully odd.

Twenty years is a long time, and so many of our readers and contributors, artists and editors, have overlapped, rolling in and out like tides. I have asked the departments to look back and look ahead, to find a sense of what SH should be. This is that issue.

Strange Horizons today is a global composite. From Delhi to London, Baltimore to Singapore, we’ll probably never all sit down in the same room, but we’re united by a broad and consistently interrogated vision of SF. Since I became EIC, I’ve had time to interrogate my own vision of Strange Horizons, and where I want to see it go. My first zine-wide work was the trans / nonbinary special, the marginalization closest to my own experience, and I’ve found the most joy since in feeling how wide-flung our collective arms can reach, in seeing the inclusive and imaginative initiatives of our team, in knowing that what we come up with when we put our minds together will be the better for our conversation.

As to that conversation, all I want is for you to join it. I want to say specifically to my trans siblings, we welcome your stories. Nigerian creators, Palestinian writers and artists, Malaysian visionaries, we welcome your stories. To Mexican writers—yes, that includes indigenous Mexican writers and the diaspora—we have an open call until August 31st: this is your last day. Please send us your words. This year of crisis and revolution, Strange Horizons is receiving more of your stories, poems, and nonfiction than ever. Thank you for thinking of us and celebrating our part in the global SF community.

Ness is a queer Baltimorean with a gaming habit and a fondness for green things. Work hats include developmental editing, calligraphy, writing, learning design, and community management (that history degree was extremely useful). Ve started as an articles editor at Strange Horizons in 2012, and is constantly surprised about the number of fencers on the team.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Wednesday: And Lately, The Sun edited by Calyx Create Group 
Friday: August Kitko and the Mechas from Space by Alex White 
Issue 20 Mar 2023
Issue 13 Mar 2023
Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
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