Eric Wang (he/him) is a writer residing in Scarborough, Canada. His work can be found in or is forthcoming from Guernica, PRISM International, Contemporary Verse 2, and others. Tell him about your favourite Gundam @poemaroo.
Sara S. Messenger is an SFF writer and poet residing in Florida. When she’s not playing fetch with her cat, she reads poetry collections in the sun. Her short fiction has appeared in Fantasy Magazine and Diabolical Plots, and her poetry has been previously published in Strange Horizons. If you enjoyed this work, her full portfolio and other musings can be found online at sarasmessenger.com.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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