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Direct link: June poetry (MP3)

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the May issues.

  • “Jupiter of Jupiter" by Lora Gray, read by Lora Gray. You can read the full text of the poem and more about Lora here.
  • “The Poem Gardens of The Ascari" by Rohinton Daruwala, read by Rohinton Daruwala. You can read the full text of the poem and more about Rohinton here.
  • “A Gathering of Baba Yagas" by Laura Madeleine Wiseman & Andrea Blythe, read by Romie Stott. You can read the full text of the poem and more about Wiseman & Blythe here.
  • “I Am Not Buffalo Bill" by Evelyn Deshane, read by Ciro Faienza. You can read the full text of the poem and more about Evelyn here.



Andrea Blythe lives in Los Gatos, California, where she writes poetry and fiction. Her poetry has appeared in several publications, including Chiaroscuro (ChiZine), Perigee, Bear Creek Haiku, and Chinquapin. If you would like to learn more, you can visit her webpage: www.andreablythe.com. You can also see her previous work in our archives.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Laura Madeline Wiseman's debut book of poetry is Sprung (San Francisco Bay Press). She is also the author of six chapbooks, including 2012's Unclose the Door. She is the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press). She has a doctorate from the University of Nebraska-Lincoln, where she teaches creative writing. Stranger Still, a new anthology of her alien-themed poems, will be available in October 2013, and can be pre-ordered through Finishing Line Press.
Lora Gray is a nonbinary speculative fiction writer and poet from Northeast Ohio. They have been published in F&SF, Uncanny, and Asimov’s, among other places, and their poetry has been nominated for the Rhysling Award. You can find Lora online at lora-gray.com.
Rohinton Daruwala lives and works in Pune, India. He tweets as @wordbandar and blogs at https://wordbandar.wordpress.com/. His first collection of poems is The Sand Libraries of Timbuktu (Speaking Tiger 2016). His work has previously appeared in Strange Horizons, New Myths, Star*Line, Liminality, Through the Gate, and Silver Blade.
Romie Stott is the administrative editor and a poetry editor of Strange Horizons. Her poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. You can find her fairly complete bibliography here.
Current Issue
26 Sep 2022

Would a Teixcalaanli aristocrat look up at the sky, think of Lsel Station, and wonder—with Auden—"what doubtful act allows/ Our freedom in this English house/ our picnics in the sun"?
I propose that The Expanse and its ilk present us with a similar sentiment, in reverse—a warning that for all the promise of futurism and technological advancement, plenty of new, and perhaps much worse futures are right before us. In the course of outrunning la vieux monde, we may find that we are awaited not simply by new worlds to win, but also many more which may yet be lost.
where oil slurped up out of the dirt, they drink the coffee
Science fiction is a genre that continues to struggle with its own colonialist history, of which many of its portrayals of extractivism are a part. Science fiction is also a genre that has a history of being socially progressive and conscious – these are both truths.
Bring my stones, my bones, back to me
If we are to accept that the extractive unconscious is latent, is everywhere, part of everything, but unseen and unspoken, and killing us in our waking lives, then science fiction constitutes its dreams.
they are quoting Darwish at the picket & i am finally breathing again
Waste is profoundly shaping and changing our society and our way of living. Our daily mundane world always treats waste as a hidden structure, together with its whole ecosystem, and places it beyond our sight, to maintain the glories of contemporary life. But unfortunately, some are advantaged by this, while others suffer.
Like this woman, I am carrying the world on my back.
So we’re talking about a violence that supplants the histories of people and things, scrubbing them clean so that they can fuel the oppressive and unequal status quo it sustains.
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By: Cat T.
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