Nome Emeka Patrick is a blxck bxy; graduate of English language and Literature. His works have been published or are forthcoming in POETRY, Poet Lore, Puerto Del Sol, The Fiddlehead, Beloit Poetry Journal, and elsewhere. A Pushcart Prize and Best of the Net Nominee, he is super shy, but say hi on Twitter: @paht_rihk.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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