Kay is a writer and educator in South Texas who just can't stop thinkin’ about sleep and coyotes. His writing can be found in or is forthcoming from Deep South Magazine, Brazos River Review, Scalawag Magazine, and Menacing Hedge.
Gerri Leen is a Pushcart- and Rhysling-nominated poet from Northern Virginia who's into horse racing, tea, collecting encaustic art and raku pottery, and making weird one-pan meals. She has poetry published or accepted by The Magazine of Fantasy and Science Fiction, Dark Matter, Dreams & Nightmares, Liquid Imagination, NewMyths.com, and others. Visit gerrileen.com to see what she's been up to.
I propose that The Expanse and its ilk present us with a similar sentiment, in reverse—a warning that for all the promise of futurism and technological advancement, plenty of new, and perhaps much worse futures are right before us. In the course of outrunning la vieux monde, we may find that we are awaited not simply by new worlds to win, but also many more which may yet be lost.
Science fiction is a genre that continues to struggle with its own colonialist history, of which many of its portrayals of extractivism are a part. Science fiction is also a genre that has a history of being socially progressive and conscious – these are both truths.
If we are to accept that the extractive unconscious is latent, is everywhere, part of everything, but unseen and unspoken, and killing us in our waking lives, then science fiction constitutes its dreams.
Waste is profoundly shaping and changing our society and our way of living. Our daily mundane world always treats waste as a hidden structure, together with its whole ecosystem, and places it beyond our sight, to maintain the glories of contemporary life. But unfortunately, some are advantaged by this, while others suffer.
Strange Horizons is a weekly magazine of and about speculative fiction. We publish fiction, poetry, reviews, essays, interviews, and art. For more information, see our about page. All material in Strange Horizons is copyrighted to the original authors and may not be reproduced without permission.