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You seek an urn
I can tell before you even
Head to that part of my shop
And as always
I can’t resist the urge to reach
For your sorrow—or lack thereof
To determine
What kind of pottery
Would suit you best
Terracotta for a lifelong love
Porcelain for a love that was yet new
Raku for a tumultuous union
Pit-fired for an arranged marriage
That somehow proved to be a love match
But no—this is no unexpected loss
The dearly departed died by your hands
I’d offer black raku
But I feel this was no crime of passion
You planned it
The same way I planned the intricate
Carvings of my chattered pieces
And there—my gift never lies
You’re drawn to the gouged slip
As surely as a cat is to catnip
Fortunately for you I am but a potter
And not a detective
As I ring you up, I whisper softly
“Your secret's safe with me”



Gerri Leen is a Pushcart- and Rhysling-nominated poet from Northern Virginia who's into horse racing, tea, collecting encaustic art and raku pottery, and making weird one-pan meals. She has poetry published or accepted by The Magazine of Fantasy and Science Fiction, Dark Matter, Dreams & Nightmares, Liquid Imagination, NewMyths.com, and others. Visit gerrileen.com to see what she's been up to.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Friday: The Final Strife by Saara El-Arifi 
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