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In this special issue of the Strange Horizons poetry podcast, editor Ciro Faienza presents Oak Morse’s “Hula Hoops” and Michael Díaz Feito’s “Cagastrophe in Steerage”, each with readings by the poets themselves.



Oak Morse is a poet, speaker, and teacher who has traveled across the Southeast as a performance poet as well as a teacher of literary poetry. He has a Bachelor of Journalism from Georgia State University. He is the winner of the 2017 Magpie Award for Poetry for the poem “Garbage Disposal” in Issue 16 of Pulp Literature. Other work of his has appeared in the UndergroundPage and Spine, Fourth & Sycamore, DrylandUniversity of Canberra, and Patch. Oak currently lives in Houston, Texas, where he works on his poetry collection titled When the Tongue Goes Bad, a themed set of work aimed to bring attention to a contemporary speech disorder diagnosis known as “cluttering,” a diagnosis which Oak has worked tirelessly to overcome. You can find more of his work at www.oakmorse.com.
Michael Díaz Feito is a Cuban-American writer from Miami, Florida. His recent work has appeared or is forthcoming in Big Echo: Critical SFDanse Macabre du Jour, and FIVE:2:ONE. You can find more of Michael's writing at michaeldiazfeito.com and follow him on Twitter @diazmikediaz.
Current Issue
26 Sep 2022

Would a Teixcalaanli aristocrat look up at the sky, think of Lsel Station, and wonder—with Auden—"what doubtful act allows/ Our freedom in this English house/ our picnics in the sun"?
I propose that The Expanse and its ilk present us with a similar sentiment, in reverse—a warning that for all the promise of futurism and technological advancement, plenty of new, and perhaps much worse futures are right before us. In the course of outrunning la vieux monde, we may find that we are awaited not simply by new worlds to win, but also many more which may yet be lost.
where oil slurped up out of the dirt, they drink the coffee
Science fiction is a genre that continues to struggle with its own colonialist history, of which many of its portrayals of extractivism are a part. Science fiction is also a genre that has a history of being socially progressive and conscious – these are both truths.
Bring my stones, my bones, back to me
If we are to accept that the extractive unconscious is latent, is everywhere, part of everything, but unseen and unspoken, and killing us in our waking lives, then science fiction constitutes its dreams.
they are quoting Darwish at the picket & i am finally breathing again
Waste is profoundly shaping and changing our society and our way of living. Our daily mundane world always treats waste as a hidden structure, together with its whole ecosystem, and places it beyond our sight, to maintain the glories of contemporary life. But unfortunately, some are advantaged by this, while others suffer.
Like this woman, I am carrying the world on my back.
So we’re talking about a violence that supplants the histories of people and things, scrubbing them clean so that they can fuel the oppressive and unequal status quo it sustains.
Issue 21 Sep 2022
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By: Cat T.
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Issue 18 Jul 2022
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