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I threw a chair at my dad and he died (a tubular
ladder back, joined like our intertidal Jesus, so
no nails, algal-stained, ascendable and bloody,
a rude instrument, whiny with that all-thanatic
force of theophany, and flotsam-pride fangled)
because the ring-ship’s artificial gravity is off-
kilter. But the palm-woven seat warped in dome
3 yard 1’s humid heat, and my dad confusingly
resurrected as an ectoplasmic anemone surging
from the weird fronds. Tripped by the fence of
a carambola tree, I crashed through the domino
table, and crawling out its dotty splinters, faced
dad’s new shape crying in the chair: “Thanks I
get for fleeing your creditors!” O the guilt rays
peel this skull free of wrapping paper skin and
knock the noisy rattler, my turkey vulture head,
round and round. Brindis for the funder-galaxy,
raise the receipts: all for education and for none.



Michael Díaz Feito is a Cuban-American writer from Miami, Florida. His recent work has appeared or is forthcoming in Big Echo: Critical SFDanse Macabre du Jour, and FIVE:2:ONE. You can find more of Michael's writing at michaeldiazfeito.com and follow him on Twitter @diazmikediaz.
Current Issue
20 Jan 2020

Corey slipped his hand into the puppet’s back, like he had done many times with the doctor who made him talk about Michael and bathtubs and redness. His breath and stomach squeezed whenever he reached into dark, invisible places.
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