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In this episode of the Strange Horizons podcast, editor Anaea Lay presents Sheree Renée Thomas's “The Parts That Make Us Monsters.”



Sheree Renée Thomas creates art inspired by myth and folklore, natural science and the genius culture of the Mississippi Delta. Nine Bar Blues: Stories from an Ancient Future (Third Man Books, May 26, 2020) is her first fiction collection. Two multigenre/hybrid fiction and poetry collections, Sleeping Under the Tree of Life, longlisted for the 2016 Otherwise Award and Shotgun Lullabies were published by Aqueduct Press. She edited the Dark Matter volumes (World Fantasy Award 2001, 2005) that first introduced W.E.B. Du Bois’s work as science fiction, and she was the first black author to be honored with the World Fantasy Award since its inception in 1975. Her work is widely anthologized and has been nominated for a Pushcart Prize and received honorable mention in the Year's Best volumes. A Cave Canem Fellow, her poems and essays have appeared in the New York Times and other publications. She serves as the Associate Editor of Obsidian: Literature & Arts in the African Diaspora (Illinois State University, Normal). She lives in Memphis, Tennessee. Find her on Instagram/Facebook @shereereneethomas and on Twitter @blackpotmojo.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Friday: August Kitko and the Mechas from Space by Alex White 
Issue 20 Mar 2023
Issue 13 Mar 2023
Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
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