Size / / /

Middle-aged and bifocaled, she waits at the stop sign for them to fly past,

windows open to welcome the hot air—better than watching through haze.

She grips the wheel, each new wrinkle on her hand another impossibility

between them.  Out of time.  Displaced person.  She is not supposed to be there,

her silence like a cancer—and everything vinegar on her tongue.

She is afraid to blink, to miss them, while the ice cream melts in her trunk.

Suddenly they ride with eyes ablaze, unfettered and invincible for fifteen minutes,

charging past cars, ignoring traffic lights.  There is freedom in each small rebellion.

 

The oldest with his curly hair and wild eyebrows seems to recognize her.

His mouth a full grin, his braces shining, he winks with a fleeting confidence that only comes

on two wheels in motion.  Fearless and beautiful in awkward angles,

he is like all the boys from books she adored when she was young; clever boys

with secrets—closet skeletons, noble hearts, and stepmothers' curses.

 

The bikes whir and flap, playing cards clipped to their spokes with clothespins,

and as the youngest passes, she sees the seven of clubs fastened to one wheel,

punctuating his ride with a clack-clack-clack that brings the bike one step closer

to the roar of a motorcycle.  She watches her brothers as they turn the corner

and rise up off the ground, trading wheels for wings, leaving this world behind—

endangered and unstoppable.  On the seat beside her, under needles and starwort,

are six shirts tear-stained, one still not finished, and behind her the siren draws near.



Valya Dudycz Lupescu is the author of The Silence of Trees and founding editor of Conclave: A Journal of Character. Her poetry and prose have been published in Gone Lawn, Jersey Devil Press, Mythic Delirium, Danse Macabre, Fickle Muses, Abyss & Apex, Pedestal Magazine, Doorknobs & Bodypaint, and other places. Since earning her MFA in Writing from the School of the Art Institute of Chicago, Valya has worked as a college professor, obituary writer, content manager, goth cocktail waitress, and co-producer of an independent feature film. Her first comic book, Sticks & Bones, created with artist Madeline C. Matz, was successfully crowdfunded via kickstarter. They are now working on the next three issues to be published by First Comics. Her website is www.vdlupescu.com.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
Issue 21 Nov 2022
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