Size / / /

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Afternoons, in what he calculates must be spring,
he leans against the little table and draws from memory:
irises, heavy and purple.  In the ship's model library,
species after species bloom on screen.  He chooses
instead to remember, to push against the page
the way petals push back after a bee's launch.
From this angle, the frill of the beard.  From this,
some irregularity of color, as imprecise as


the signal they are chasing is exact.   Sometimes,
he allows himself to look back at a photograph,
his mother, her face half-obscured by a bloom, her face
half-obscured by the expression he knows
as her observation.  This is what calls them out:
not a mother's voice calling out for him to see the spring's
first purple emerging from a tall green stalk,
but some regularity, half-obscured by what is watching.


They have all sought the meaning of the signal.
While he draws, he wonders whether those calling out
will pluck a couple of his shipmates and press them,
petals drying between the pages of an old novel.
Or if they will draw the specimens, time and again,
adding after the life has gone some frills where there were none,
or some greater intensity of color—


                                               Or, if, like the iris,
they will have bloomed for a time, to be caught
in light before the next season consumes them:
the regular pulse of the remaining signal
becoming a picture of a running child, a blur behind
the sharpness of the irises, waiting.

T.D.Walker’s poems and stories have appeared in Strange Horizons, Web Conjunctions, The Cascadia Subduction Zone, Luna Station Quarterly, and elsewhere. 
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Friday: The Final Strife by Saara El-Arifi 
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