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you died prosaically
at only forty-four

felled by a heart attack
on a bus at Hollywood and Vine

you'd made over sixty films
but it was your true role

to be destroyed spectacularly
by monsters

the joy of it
the privilege

to be driven mad
strangled

thrown down a flight
of stairs

tossed off
a castle top

and here you are again, blithely climbing
into the coach for Borgo Pass

despite the warnings of
the freaked out villagers

it's time for you to place yourself
directly in the monster's path

a small man in a huge castle
ready to be swallowed up

by Lugosi's
burning gaze



Gwynne Garfinkle is the author of a novel, Can’t Find My Way Home (2022), and a collection of short fiction and poetry, People Change (2018), both published by Aqueduct Press. Her work has appeared in such publications as Fantasy, Escape Pod, Uncanny, Apex, and Other Covenants. For more about her work, visit her website: gwynnegarfinkle.com.
Current Issue
25 Sep 2023

People who live in glass houses are surrounded by dirt birds
After a century, the first colony / of bluebirds flew out of my mouth.
Over and over the virulent water / beat my flame down to ash
In this episode of  Critical Friends , the Strange Horizons SFF criticism podcast, Aisha and Dan talk to critic and poet Catherine Rockwood about how reviewing and criticism feed into creative practice. Also, pirates.
Writing authentic stories may require you to make the same sacrifice. This is not a question of whether or not you are ready to write indigenous literature, but whether you are willing to do so. Whatever your decision, continue to be kind to indigenous writers. Do not ask us why we are not famous or complain about why we are not getting support for our work. There can only be one answer to that: people are too busy to care. At least you care, and that should be enough to keep my culture alive.
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