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The electric piano comes in. It’s a Hohner Pianet.

The keys go:

Duh-Duh, Abm, Db/Ab,

Duh-Duh, Abm7(b5), Db/Ab,

Lloyd Loar's Vivi-Tone Clavier.1

Sharp staccato hits. Brighter, with less sustain.

Did you know that 2,200 children go missing in D.C. every year?2

That’s right. Right here!

They just disappear.

Poof!

You should know this.

Brushes on the hi-hats. No snares. Absolutely no snares.

Let the beat build.

The low end is a Palatino cutaway upright.

The bass line goes:

Doom, Duh-Doom, Doom.

The Bunny Man is coming.3

You hear the rimshots right? The rolls on the timbales?4

The rototoms go:

Boonka-Daka, Boonka-Daka.

You already know it’s going down.

The Bunny Man is coming.

Did you know that 2,200 children go missing in D.C. every year?

That’s right. Right here!

They just disappear.

Poof!

You should know this.

Let the beat build.

He wears a furry, white, rabbit suit with long, floppy ears.5

The white fur looks like a cigarette smoker’s wallpaper—yellowed.

It looks like their lungs—blackened.

The Bunny Man is waiting, watching with his glowing red eyes.

I’m just playin’ witcha.

His eyes are just human eyes watching through the eye holes in his bunny mask.

Big, plastic, ear-to-ear permagrin, shotgun blasted across his silicone rabbit face.

His eyes are just human eyes watching through the eye holes.

His eyes are just human eyes.

Last week they found a child’s femur in Anacostia Park.6 Stripped clean, bleached in the sun.

Wait.

Listen.

This is the best part. This is where the guitar comes in.

Let the beat build.

Syncopated rhythm. 7th chord harmony. Jazz progressions.

Improvised melodies overtake the written ones.

Chromaticism.

This is when the cross stick snare hits come in.

Did you know that 2,200 children go missing in D.C. every year?

That’s right. Right here!

They just disappear.

Poof!

You should know this.

Let the beat build.




1 (n.d.). Clavier by Vivi-Tone Company, Kalamazoo, Michigan, 1934 .... Retrieved December 17, 2020, from http://collections.nmmusd.org/ElectricInstruments/LoarInstruments/10878/LoarClavier.html


2 "The Missing Kids Of Washington, D.C., And Social Media : NPR." 1 Apr. 2017, https://www.npr.org/2017/04/01/522284693/the-missing-kids-of-washington-d-c-and-social-media. Accessed 17 Dec. 2020.


3 "The Bunny Man Unmasked - Local History - FCPL Curated ...." https://research.fairfaxcounty.gov/local-history/bunnyman. Accessed 17 Dec. 2020.


4 (2020, March 8). Go-Go 101 - American Musical Instrument Society. Retrieved December 17, 2020, from https://www.amis.org/post/go-go-101


5 (n.d.). braddockheritage.org/ | Bunny Man: Artist's Rendition. Retrieved December 17, 2020, from http://braddockheritage.org/items/show/26


6 "Skeletal remains found in Southeast D.C. neighborhood ...." 29 Apr. 2018, https://www.washingtonpost.com/local/public-safety/skeletal-remains-found-behind-apartment-in-southeast-dc-unnerve-residents/2018/04/29/04d21d10-4bcb-11e8-84a0-458a1aa9ac0a_story.html. Accessed 17 Dec. 2020.



David Simmons lives in Baltimore where he has worked as an optician, electrical estimator and drug trafficker. His writing has been featured in Snarl, The Manifest Station, 3 Moon Magazine, Across The Margin and The Washington City Paper.
Current Issue
30 Jan 2023

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much.
It is probably impossible to understand how transformative all of this could be unless you have actually been on the receiving end.
Some of our reviewers offer recollections of Maureen Kincaid Speller.
Criticism was equally an extension of Maureen’s generosity. She not only made space for the text, listening and responding to its own otherness, but she also made space for her readers. Each review was an invitation, a gift to inquire further, to think more deeply and more sensitively about what it is we do when we read.
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In the vast traditions that inspire SF worldbuilding, what will be reclaimed and reinvented, and what will be discarded? How do narratives on the periphery speak to and interact with each other in their local contexts, rather than in opposition to the dominant structures of white Western hegemonic culture? What dynamics and possibilities are revealed in the repositioning of these narratives?
a ghostly airship / sorting and discarding to a pattern that isn’t available to those who are part of it / now attempting to deal with the utterly unknowable
Most likely you’d have questioned the premise, / done it well and kindly then moved on
In this special episode of Critical Friends, the Strange Horizons SFF criticism podcast, reviews editors Aisha Subramanian and Dan Hartland introduce audio from a 2018 recording for Jonah Sutton-Morse’s podcast Cabbages and Kings which included Maureen Kincaid Speller discussing with Aisha and Jonah three books: Everfair by Nisi Shawl, Temporary People by Deepak Unnikrishnan, and The Winged Histories by Sofia Samatar.
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Friday: House of the Dragon Season One 
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By: RiverFlow
Translated by: Emily Jin
Issue 21 Nov 2022
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