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Passou de branco, preto é. Não existe este negócio de mulato.
Mulato pra mim é cor de mula.
—Tim Maia

They say I was born na cinza das horas
          of the time
when sun has slit its wrists
into the undarkened sky

and some have cried openly
at the newborn color. But is the spectrum
born? Or torn from stubbornly
disobedient scores of prisms

that refuse the stick instead for feast
of antropofagia.
 Eating all they can eat
or at least all of what string is

dangled in front of their nose. I know
this game well. I have since trod
many miles with a mão
          enorme solidly

promising the knowledge of steed
and strength of ass yet, sat backwards,
my rider not knowing the difference. Indeed, I wonder
at the validity of color, at the providence of a Black

Orpheus. What song is there to sing
me home? What map is made by O Cavalo Morto?
I look to the stars to bring
me answers, but all I see is the absence of color.

Woody Dismukes is a Brazilian-American poet and author living in Jackson Heights, Queens. He is a 2018 Clarion West graduate and has taught at University Settlement’s Creative Center. His work is featured in Huizache, Lightspeed, Apex, and elsewhere. You can find him on Twitter @WoodyDismukes or on his website
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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