Size / / /

for Erik Amundsen

Over the damp-blackened slates, the harbor

lights douse and sizzle in the sloping rain,

heaps of cables, netted crates, sacks of grain

unloaded under oilskins; no ship's master

on these docks, signaling like a wrecker,

but what swarms to my lantern in a skein

of foxfire and the bruised scent of vervain

could never drown: I glimpse them only after

their faces have fragmented into earth,

their coldly limned bones, leaf-rags of clothing

restitched, enfleshed within this storm-shot gleam

where my fingers cramp with winter and warmth

invisibly: this candle guides none living,

only the ghosts of children through my dreams.




Sonya Taaffe reads dead languages and tells living stories. Her short fiction and poetry have been collected most recently in the Lambda-nominated Forget the Sleepless Shores (Lethe Press) and previously in Singing Innocence and Experience, Postcards from the Province of HyphensA Mayse-Bikhl, and Ghost Signs. She lives with one of her husbands and both of her cats in Somerville, Massachusetts, where she writes about film for Patreon and remains proud of naming a Kuiper Belt object.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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