Davian Aw is a Rhysling Award nominee whose short fiction and poetry have appeared in over thirty publications, including Anathema, Abyss & Apex, Not One of Us, NewMyths.com, and Diabolical Plots. He lives with his family in Singapore.
Naru Sundar (@naru_sundar) writes speculative fiction of all kinds. He has previously been a DJ, a composer, and a potter. When he isn’t devouring books or writing, he enjoys music and art and deep moments in the redwoods of northern California.
Karen Bovenmyer earned her MFA in Popular Fiction from the University of Southern Maine's Stonecoast program in July 2013. Some of the places her dark fantasy and scifi horror stories and poems have appeared are Bonnie Stufflebeam's Art & Words Show, Crossed Genres Magazine, and Abyss, & Apex Magazine. She is the Nonfiction Editor for Escape Artist’s new magazine Mothership Zeta—Issue 0 is currently available for download and Issue 1 will debut in October 2015.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Strange Horizons is a weekly magazine of and about speculative fiction. We publish fiction, poetry, reviews, essays, interviews, and art. For more information, see our about page. All material in Strange Horizons is copyrighted to the original authors and may not be reproduced without permission.