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In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the January issues.



Davian Aw is a Rhysling Award nominee whose short fiction and poetry have appeared in over thirty publications, including Anathema, Abyss & Apex, Not One of Us, NewMyths.com, and Diabolical Plots. He lives with his family in Singapore.
Naru Sundar (@naru_sundar) writes speculative fiction of all kinds. He has previously been a DJ, a composer, and a potter. When he isn’t devouring books or writing, he enjoys music and art and deep moments in the redwoods of northern California.
Karen Bovenmyer earned her MFA in Popular Fiction from the University of Southern Maine's Stonecoast program in July 2013. Some of the places her dark fantasy and scifi horror stories and poems have appeared are Bonnie Stufflebeam's Art & Words Show, Crossed Genres Magazine, and Abyss, & Apex Magazine. She is the Nonfiction Editor for Escape Artist’s new magazine Mothership Zeta—Issue 0 is currently available for download and Issue 1 will debut in October 2015.
Margaret Wack is a writer, poet, and classicist whose work has been published in Strange Horizons, Liminality, Twisted Moon, and others.  More can be found at margaretwack.com.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Issue 21 Nov 2022
Issue 14 Nov 2022
Issue 7 Nov 2022
Issue 31 Oct 2022
Issue 17 Oct 2022
Issue 10 Oct 2022
Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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