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In the next, giant chapter, you will meet some of the editors I interviewed at Ake: Mazi Chiagozie Nwonwu (Omenana), Tolu Daniel (Afridiaspora), and Otosirieze Obi-Young (Brittle Paper).

A chapter from Abuja, the capital city of Nigeria, will have interviews with Chinelo Onwualu, co-editor of Omenana, and Odafe Atogun, author of Taduno’s Song.

A chapter from Lagos will include A. Igoni Barrett, author of the Nommo-shortlisted Blackass, comics godfather Ibrahim Ganiyu, Suyi Davies Okungbowa, and the great comics companies Comic Republic and Vortex. From Port Harcourt, we'll see further writers as well.

Nigeria is a country too huge and diverse to take in at a glance, with between two hundred and seven hundred languages and thirty-six states. It ranges from the mother-capitalist city-state of Lagos to the laid-out garden dullness of Abuja the capital, to Port Harcourt, a town with a bad reputation. Hopefully these two huge chapters will give something of Nigeria’s story as it happened to these particular writers.

After that, 100 African Writers will explore the writers of Durban, Pretoria, East London, and Port Elizabeth in South Africa, including a mindblowing interview with Unathi Magubeni, the practicing sangoma author of Nwelezelanga, The Star Child.

Then to close, the last chapters will explore the quiet charm of Ghana with interviews with local writers such as Jonathan Dotse, the founder of www.afrocyberpunk.com.



Geoff Ryman is Senior Lecturer in School of Arts, Languages and Cultures at the University of Manchester. He is a writer of short stories and novels, and science fiction and literary fiction. His work has won numerous awards including the John W. Campbell Memorial Award, the Arthur C. Clarke Award (twice), the James Tiptree Jr. Memorial Award, the Philip K. Dick Award, the British Science Fiction Association Award (twice), and the Canadian Sunburst Award (twice). In 2012 he won a Nebula Award for his Nigeria-set novelette "What We Found." His story "Capitalism in the 22nd Century" is part of Stories for Chip, edited by Bill Campbell and Nisi Shawl and published by Rosarium.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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