Size / / /

With me older and grown less whole.

With me weary and self-soiled.

And admittedly unaccountable.

Far here from home that never was my home.

Down dull yellow strands,

Down roiling yellowed beaches.

That grinding, elder flywheel of shattered memory.

The liminal tumult that breaks hope and dreams alike,

indifferent and in equal measure,

as if only so much granite.

Between the stone and the whirlpool

would I betray myself

in a guise a little less than shunned Circe's ire.

I would so sink the world.

But I alone would go a-foundering.

Swine and a woodpecker and heads of seven snarling dogs.

Too, these oddly placid lions

and wolves that show their throats.

I am all those, witch and bewitched.

Drowned and, likewise, drowning brine.

I am all those.




Caitlín R. Kiernan's novels include The Red Tree and The Drowning Girl: A Memoir. Her short fiction has been collected in several volumes, including Tales of Pain and Wonder, A is for Alien, The Ammonite Violin and Others, and Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One). She is a four-time nominee for the World Fantasy Award, an honoree for the James Tiptree Jr. Award, and has twice been nominated for the Shirley Jackson Award. Born in Dublin, Eire, she now lives in Providence, RI.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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