Size / / /

They have imagined something they call time.

They chain it to their wrists.

They do time.

Make it, save it.  Borrow, buy

and spend it.  Time crawls, they say. Time flies.

It warps and bends.

They lose it and collect it.

They freeze it.

Time out.

Time in.

Time off.

In time.

On time. About time.

Some claim to have all the time in the world.

Double, half, and quarter,

full time. Time and a half, and unpaid over,

hard and break and

just-in-

time.

Quitting time.

Some have none to spare.

Some are completely out.

Good time, they say.  Bad.      Real time. Time out of mind.

They try to kill it.

Their stories speak of time machines.

They dream.




Bette Lynch Husted's collection of memoir essays, Above the Clearwater: Living on Stolen Land, was a finalist for both the 2004 Oregon Book Award and the 2005 WILLA Award (Women Writing the West) in creative nonfiction. A poetry chapbook, After Fire, was published by Puddinghouse in 2002; Triplopia nominated her poem "Tending Adobe" for a Pushcart Prize. Her essays, poems, and stories have appeared in Oregon Humanities, Fourth Genre, Prairie Schooner, Northwest Review, Natural Bridge, and other journals. She was a 1994 Fishtrap Fellow.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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