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If I told you that a flower bloomed in a dark room, would you trust it?

—Kendrick Lamar

Don't ask me why, [. . .] ask me how!

—Tupac Shakur

 

Steel world, white fire, neon gaze and acid
falls—a land of cement and granite—that hide the
vision of stars with twisted clouds,

base of the cauldron, nailed to the floor: a black flower.

Ground of blood and mother’s wails, the rush
of suited skeletons, lining to their next daily death,
the life-red, red-life always ignored,

the black flower.

Black rose, born of the concrete,
born from stacked despairing generations,
packed in the stench of unending currency,

in this dark cocoon, you still bloom.

Black light, from the manufactured desert, slipping
through alleys into living rooms, pulsing
in sound-waves on a summer afternoon, through
bodies of boys for whom death creeps too soon,

can I trust you?          Unholy miracle of a gift,

can I—



Gabriel Noel is in his final year at Boston University.  In addition to scribbling in dollar notebooks, he has a deep interest in understanding the nature of perspective during the slim time he’s been allotted here.  He is also a soccer aesthete.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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