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On the street of Athens
everyone, everybody
live, dying, dead, is lying
on the ground, eyes wide open
and watching, watching it fall

with lightning, wind, husks of trees
down from the night sky.
This celestial and terrestrial war
fire and water, stun them,
puzzled, intoxicated
with power, and a light
knocking on the door of Hades

the sink of hope, and savagery
worshipped by the void
collides and sparks
and blasted into a million pieces
devoured and digested
in its own trap.

A soldier is wandering
in this dark labyrinth
but he must have lost something
in the white and red behind.
He steps into the ruin, searches, back and forth
obsessively, compulsively

and stops in front of a dead man
closed eyes, on his white cloth, a bloody coin.
He hesitates, takes it, and talks to himself

“Even Charon won't come back.”
He tosses it into a tinkling sack
like stealing a red moon
from the silky sky
and letting it be blue for the day.



Liu Chengyu came from China nine years ago and is currently living in San Diego. He loves poetry and doing research on proteins. You are welcome to read his previous works in Strange Horizons, Aphelion, Grievous Angel, Silver Blade, and Abyss & Apex.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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