Size / / /

The needle inked the shapes of feathers—

wings folded, carved into the skin of his back.

He stretched, rolling his shoulders

as the tattooist paused, rested.

He felt the dual pink scars wrinkle then stretch.

There was an absence, an ache

between his shoulder blades he knew

ink could never fill. But for a moment

he pretended they were real, those strong black wings

peeling from his flesh, reaching up, tips pointed skyward.

Then, the tattooist resumed and the needle

was biting, biting, biting.

It was not God he missed, not Heaven.

It was the act of flight itself:

the taste of wind, the feel of freedom,

the near solidity of air cradled beneath his wings,

and far, far below, His most loved

children building castles of sand,

so small, so small.




Andrea Blythe lives in Los Gatos, California, where she writes poetry and fiction. Her poetry has appeared in several publications, including Chiaroscuro (ChiZine), Perigee, Bear Creek Haiku, and Chinquapin. If you would like to learn more, you can visit her webpage: www.andreablythe.com. You can also see her previous work in our archives.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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