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On Friday, Locus published their annual, stunningly comprehensive Recommending Reading List for 2012's speculative fiction and, pleasingly, five SH stories were included:

Congratulations to all five of the above authors from all of us here. Karen Burnham has also compiled a list of all the recommended short fiction available online, so you've got plenty of good reading ahead of you. Congratulations also to Brit, whose essay We Wuz Pushed: On Joanna Russ and Radical Truth-Telling and anthology Beyond Binary both made the list.

A couple of general thoughts about this year's list: I think it accurately suggests that it was a pretty stunning year for collections, and a very decent year for first novels; but the Best SF Novel and Best Fantasy Novel lists are both a bit too generous with their inclusions for my taste, and I wish they had a bit more academic input into their best non-fiction list. It doesn't look like the best of years for novellas, so I'll be interested to see what turns up on awards ballots in that category. A few things I'm particularly pleased to see: the Singh/Menon anthology Breaking the Bow, which I haven't quite finished yet, but is in general very strong; Kiini Ibura Salaam's Ancient, Ancient, which would certainly have been on my best-of-year list if I'd finished it in time; and Roz Kaveney's Rituals, ditto.

Niall Harrison is a reader and fan.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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