Size / / /

Content warning:


Today I walk stalk. Pick up a rose petal,
pocket crumple its fuchsia. All of the jasmine is mine.
Wilting. The neighbors are stupid. They shaved off
the blooms of their sunrise lantana so all of the monarchs
got bored then left. I stalk walk and hunger curdles
like a middle finger on the ramp, merging into traffic.
I miss it. The throaty curses, the smog curled into a tongue-like cup.
I used to eat it like a fist. On the news, they said pregnant people
have to give birth alone. These lone portals of agony and affirmation.
I walk stalk the hospital right off the freeway. The sign painted neon
underneath my eyes. My tongue, folded neatly inside my mask.
None of the birthers knew all those times my winged shadow
pressed against their windows. The nurses, these pinsan of mine,
they knew. The names they called me (you know them): baby thief. Murderess.
I’m not here for that. Not today, at least. I’ve tunneled my hunger
down deep. Here to slow dance with you. Here to prop your wings
up. Here to whistle a melody against the percussion
of intermittent fetal monitoring. Here to hear
you crack spring open, then tumble all of the seasons. I’m here.



Rachelle Cruz is the author of God’s Will for Monsters, which won an American Book Award and the Hillary Gravendyk Poetry Prize. She currently teaches Genre Fiction in the MFA program in Creative Writing at Western Colorado University.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
Load More
%d bloggers like this: