Size / / /

You use

an instrument of tusk,

of yellow tooth,

imperfections filed

into ghost.

They are invisible, to most.

Your fingers know.

I know your fingers.

I know them in the salt-sea.

I know them, charcoal-smudged,

smelling of smoke.

I know them pulped by fruit,

still wet with sea,

the sweet and the sour.

With this object,

your spider-fingers take

from wires hidden

in a box.

You transform

a swell of notes.

The stars, a silence, a sudden

dive and then a thunderstorm

- and now I have forgotten

how to take my skin off

like a lady's dovegray glove

and put it back on

as purple as the stomach of a flea.

To run like a deer.

To hide like a hay stalk in a hay stack.

All I can do

is root,

and snarl, and feel my thoughts

tangle and cross, grow green leaves,

   edged like teeth

and dense with veins.

All I can do is snarl, tangled

heavily across this chair,

and cling to the wall.

At least I have thorns,

although I open wide, whiter than silk

and redder than thread.

Despite my head,

I blossom like fire from a match.

I forget

how to shed

this shape:

When you close the lid,

and take your fingers from the monster's teeth,

and come to pluck me,

scatter my petals

so that I will never grow again—

I hope you bleed.




Jessica P. Wick is a writer and freelance editor living in Rhode Island. She enjoys rambling through graveyards and writing by candlelight. Her poetry may be found scattered across the internet. Her novella “An Unkindness” is out June 2020 in A Sinister Quartet from Mythic Delirium. Other dark fiction may be found in Rigor Morbid: Lest Ye Become from Bronzeville Books.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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