Size / / /

The train moved through my senses,

a smear of spilled India ink,

and underneath the weight of my tongue,

I tasted oranges.

I told you this, three times,

that I always start my stories the same,

with these words:

Once there was a girl, and her death.

Her death lived with her all her days.

I wanted to be Shahryar,

and you could bring me a thousand wonders.

The last one you keep for yourself

and it could have lit up the bright spaces,

me sitting cross-legged, a ragged lotus,

my nails scratching snakes into your feet.

You could have loved me, so impossible,

and I could have wistfully let you go.

Somehow that sounds more heroic,

falling onto my shield, my ribs splayed,

and hyacinths could have grown from my lungs,

saying always, This here was a beautiful thing.




Nancy Sheng was born in northern China and raised in a ragtag fashion across Canada and the U.S. She is currently a graduate student in library sciences. Her work has been previously published in Goblin Fruit and Stone Telling.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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