Size / / /

The woman in the back of Fritzel's
keeps a scalpel in her purse.

She dips a finger in her gin,
pushes the lemon to the bottom.

She's sat through four bands
on open-mike night, four versions

of "Piece of My Heart." She's waiting
for a traveler, someone with a suitcase

and a charge card to settle
her long bar tab and take her

back to his room. One man
woke in his bath packed in ice like a fish,

a telephone and a note near his hand,
'Call the hospital or you will die.'

He went to the mirror,
found two long slits like gills

on his back. He thought of his last
Bloody Mary, the strange woman

who pulled the covers over him
like a net. Afterwards, her body

curled and hard, a baited hook.
Tomorrow, he will learn

that even kidneys are bought and traded,
that you could live with just one.

If he sleeps, he will dream of water,
of moving through treacherous seas

and arriving almost intact.

 

Copyright © 2002 Jamie Wasserman

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Jamie Wasserman's poetry and fiction have appeared in Exquisite Corpse, Weber Studies, Flesh and Blood, Vampire's Dan Story Emporium, Magma, Clay Palm Review, frisson, and dozens of others. His poem "Why I Believe in Ghosts" received an honorable mention from the 2002 Year's Best Fantasy and Horror anthology. For more about him, visit his website.



Bio to come.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
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Issue 19 Feb 2024
Issue 12 Feb 2024
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