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For Tara Cloud Clark

it is your nose i notice first—you demon, you delicacy!—
(I’m something of a collector: eldritch artifacts, all that
your nose, a right wonder for my wunderkammer)
robustly moist, grave-soil-black, with that reciprocating twitch
for every trash pile, blossom’s bravado, bottom’s innuendo
a flagrant organ in full swoon, flaunting no preference
sensitive to the rancid, ecstatic at tenderness
your nostrils flaring/folding/flaring with tidal nuance
keen to sniff each invisible stitch of meaning:
whether categorical, imaginary, or subliminally intended

secondly—you stunner, you monster!—
it is your quills I clap eyes on—fine-frilled, outstanding!
deimatic display of sensitive silver, a collar
standing at dinosaurian attention
this is not your average were-hair, my bugbear
more like what a poet plucks for her pen, never mind your quivering
good thing she’s easily distractible, all dreamy at the moon
(your foe, your sorrow)
good thing she stopped humming out your name, greedy for attention
no idea you stood ready to behead her with your scimitar paw
she might have taken her handful right there
abandoned you, bare and bleeding, to jot down a verse
what then would be left for my necklace?

I save your scarlet heart for last—you lonebeast, lunewolf!—
your ardent heart: a top-shelf item, prize of my collection
we'll preserve it in a reliquary, gold-gilt, heart-shaped
a crystal windowpane winking glimpses at incarnadined flame:
your jewel, your red gem, molten and uncertain
surely you were hunted for this, once and again
surely they came after you with knives—steel and teeth by starlight
surely you were envied and hunted, harried and coveted
till you fled, scarred, scored, starving for your pack
obscuring your bright heart, silver quills, seeking nose
in domestic drudgery, cagey silences, lest you become
one more metaphor mounted on a wall,
trod upon as carpet, secreted in a cabinet,
turned into an instrument of poetry.



C. S. E. Cooney won the World Fantasy Award for Bone Swans in 2016 and the Rhysling Award for her poem "The Sea King's Second Bride" in 2011. Her collection Dark Breakers comes out from Mythic Delirium in February 2022, and her novel Saint Death’s Daughter two months later from Solaris.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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