Size / / /

From ships sent to study our planet,

they listen to waves vibrating our air,

the cacophony of drills, screams, desperate calls,

which they tune out with flicks of dials

to zero in on rhythmic stuttering

and swelling crescendos of low and high tones.

Notes are recorded, a slow dissection of the human heart,

something there which humans cannot fully articulate,

how resilient, yet how vulnerable, they have evolved.

These recordings, drained of humanity and all imperfection,

are then beamed back in the seething swirl of dissonance,

where few notice, except at odd moments

inside stores or elevators, when some dark chill

overtakes their hearts, glimmers of the unknown,

when just for an instant they detect the presence

of some cold intelligence devoid of empathy,

and sense menace, that we all may die.




Thomas D. Reynolds received an MFA in creative writing from Wichita State University, currently teaches at Johnson County Community College, and has published poems in various print and online journals, including New Delta Review, Alabama Literary Review, Aethlon: The Journal of Sport Literature, American Western Magazine, Combat, The MacGuffin, and Midwest Poetry Review. His poem "How to Survive On a Distant Planet," previously published in Strange Horizons, was nominated for a Rhysling Award in the short poem category. You can send Thomas email at tomrey8@yahoo.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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