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On January 2, 2012, we're going to publish our 500th original piece of fiction.

We thought it would be fun, in honor of that impending milestone, to ask y'all to tell us about your favorite SH stories.

If you need a reminder of what we've published, stop by our fiction archives. (There are 600+ items in the archives, but that's counting multi-part stories as separate items, and it includes reprints and introductions to reprints.) If you're looking for particular kinds of fiction, use the category menu to restrict the view.

You may also find our awards pages helpful as a reminder of some of what we've published.

We invite you to post about your favorites. You can just list titles, or you can say what you liked about them. You can post comments on this blog entry, or you can tweet (we're using the hashtag #SH500) or post to your own blogs or Facebook or Google+ or wherever.

If you post elsewhere, feel free to add a comment here linking to your post.

(We were inspired to ask people to list their favorites by a post from Dave Schwartz a couple months ago in which he mentioned three of his favorites. You don't have to list three, though; list as few or as many as you like.)



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
29 Apr 2024

The Lightning Road cuts far across the Cosmos, a streak of dazzling gold amidst the star-studded void.
daily you suppress it and ride the shame / like a surfer rides a monster wave,
somersaulting in continuous turns
two wolves lope / behind the Atlantic
The thing is; I don’t set out to write neurodivergent characters. I write people – fictional people who are drawn from the people around me, the way I experience the world, and my understanding of these experiences. Too bad if other people refuse to afford my experiences as being real or relatable.
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