Charles Payseur is an avid reader, writer, and reviewer of all things speculative. His fiction and poetry have appeared in The Best American Science Fiction and Fantasy, The Book Smugglers, Lightspeed Magazine, and many more. When not hunting Hodags across the wilds of Wisconsin, you can find him gushing about short fiction (and his cats) on Twitter as @ClowderofTwo.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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